A comparison of Sudha Kongara's short film with Shaan Karuppasamy's short story that it is adapted from.
I write on Mysskin’s film Onaayum Aattukkuttiyum and translate passages from the filmmaker’s book about the film.
A taste of Isai’s poems that observe life through the lens of Tamil cinema.
My thoughts on Bharathiraja’s OM and Parthiban’s Oththa Seruppu, screened at Singapore South Asian International Film Festival.
After watching Super Deluxe, there were only two words I wanted to tell Thiagarajan Kumararaja, “Grow up.” Here’s why.
In this article I argue that Pa Ranjith’s filmography is never lacking in form, even if such complaints abound.
I wonder why we seem to be seeing the same few stories over and over, when there are several more unfolding at any given moment in Chennai.
Shanmugha Raja was so impressed by the character of Prince Myshkin in Fyodor Dostoevsky’s The Idiot that when he began his film career, he decided to rechristen himself as Mysskin.
Mysskin daubs a criminal investigation with generous splashes of philosophy.