In this article I argue that Pa Ranjith’s filmography is never lacking in form, even if such complaints abound.
You cannot simply ignore the sequel of a film that was so close to you that you knew each dialogue by heart. You do not simply shun the sequel of a film that depicted an essential part of your childhood on-screen.
I liked Kabali better the second time. Several scenes which felt odd and choppy the first time, felt a lot more coherent the second time around.